An American in Paris: The Musical Is Not Content to Be Simple Escapism

If you’re expecting An American in Paris: The Musical to be a copycat of the movie that inspired it, you can kiss those expectations goodbye as swiftly as the enormous swastika banners come tumbling down onstage. From the very beginning, it’s clear that the city we see in the production is no idealized Paris where a cuddly Gene Kelly tap-dances in the streets for the amusement of little children. This is a gloomier, postwar Paris that has survived a Nazi occupation, one whose residents are still dealing with the lingering effects.

from Stories from Slate https://ift.tt/2I7cRvZ

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