In The Sisters Brothers, the Only Thing Wilder Than the Frontier Is Joaquin Phoenix

The wildest beast in The Sisters Brothers, a formula-tossing Western set in 1850s Oregon, isn’t the horse that hurtles desperately across the plain, unaware that it’ll never outrun the flames on its head, neck, and back. Nor is it the tarantula that crawls into the open mouth of a sleeping character, making its presence known only through the venom that courses through its victim overnight. Rather, it’s Charlie Sisters (Joaquin Phoenix), a shrewd but impulse-driven hired gun whose ease with violence allows him to thrive under a rainstorm or a hail of bullets, but nowhere resembling civilization.

from Stories from Slate https://ift.tt/2ppuHSu

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When Representative Ilhan Omar recently complained about “the political influence in this country that says it is okay to push for allegiance to a foreign country,” many noted accurately that she had deployed a trope—dual loyalty—that had been used against Jews for years. But this accusation has a broader history in the United States, having been used against several religious minorities—including Muslims like Omar. Indeed, many battles over religious freedom have revolved around dual-loyalty claims. [ Read: Ilhan Omar just made it harder to have a nuanced debate about Israel ] In the 19th century, many attacks on Catholics stressed that these immigrants were pawns of a foreign power. In the 1830s, Samuel Morse—then a prominent painter and later the inventor of the telegraph—urged Americans to build “walls” and “gates” to keep out Catholic immigrants, who would always be loyal to Rome. Because these Catholic immigrants were decrepit —“halt, and blind, and naked”—they were easy to co...

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