With two concurrent exhibitions, the artist’s daring and difficult to define body of work is set to provoke, shock and inspire debate
Last week was a busy one in Los Angeles for Nina Chanel Abney. The New Jersey-based painter’s California debut has two concurrent exhibitions at the Institute of Contemporary Art (ICA) and the California African American Museum (CAAM), both called Royal Flush. (It debuted last year as a single show at Duke University’s Nasher Museum.) Headlining a double feature like that had amounted to twice as many openings, and twice as many cocktail receptions.
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