Lloyd Webber? Trump? Madonna? Don’t get her started! As the goddess of the modern musical prepares to star in Company, she settles some old scores – and starts some new ones
Patti LuPone is giving her radiator a good smack. “I can NOT figure out how the heat works here!” Lupone – the queen of Broadway, the goddess of the modern musical – bellows with the sort of fierceness that has driven people she’s worked with to hide in terror. “Is it hot or cold? I cannot figure out what’s going on in this country. I cannot figure what’s going on in my country, either. Oh my Gahhhhhd, don’t get me started!”
We are meeting in the London townhouse where she is staying while appearing in Marianne Elliott’s hugely anticipated production of the Stephen Sondheim musical, Company, which opens next week. LuPone is a theatrical legend, a two-times Tony winner who was the original Evita on Broadway and the original Fantine in the London Les Misérables, her distinctive, powerful and emotional voice helping to turn their accompanying albums into mega-sellers.
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