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Albert Finney: the most almighty physical screen presence | Peter Bradshaw

Finney was the face of the vibrant new wave of working-class postwar British cinema, and maintained a fierce vitality in his distinguished later performances

From moon-faced youth to weatherbeaten later years, Albert Finney was an almighty force on screen: a clenched fist of physicality, a battering ram of uningratiating power, almost priapic with defiant confidence, with the battle-readiness of a prop forward or sumo wrestler. His presence was very different from the long-limbed spindliness or feline charm of contemporaries such as Peter O’Toole, Tom Courtenay and Terence Stamp, those other young lions of postwar British cinema who showed that regional and working-class voices had a new, real power. And, in retirement, Salford-born Finney lived long enough to hear his name invoked as a lost hero by those enraged that, in the 21st century, working-class actors were being marginalised in Britain once again.

Related: Albert Finney, cinema's original 'angry young man', dies aged 82

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from The Guardian http://bit.ly/2SAxc4B

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