Martin Parr’s images are full of bonkers humour and jolly grimness. As our nation considers what it means to be British, Grayson Perry takes a look
When I first came upon the photography of Martin Parr in a colour supplement at some point in the 1980s, a very loud bell rang. Here was someone who was pointing out with laser precision the aspects of society I didn’t even know I was driven by. He framed anthropological observations that I didn’t yet know I was fascinated by.
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