Skip to main content

Fans Got Marvel to Bump Danai Gurira's Credit Up on the 'Endgame' Poster

Thursday blessed us with two new Marvel drops—the Avengers: Endgame trailer, and an official poster in form of giving Danai Gurira a top-line name credit. The initial poster, released this morning, was standard Marvel fare: a bunch of superheroes/famous actors looking off into different directions in space or something. But what caught many fans' eyes was in the fine print. Danai Gurira's name was not among the listed cast of stars at the top, despite her prominent role as Okoye from one of Marvel's most outstanding films, Black Panther. It was instead listed at the bottom, alongside other supporting Endgame actors including Gwyneth Paltrow and Benedict Wong.

Fans were upset by this, some even offered their own takes on what the poster ought to look like:

Movie billing—the process of crediting actors on theatrical posters and on-screen credits—is a fairly complicated practice that is often decided behind the scenes through contract negotiation. Whose name comes first, whose name comes last, and whether a "featuring" or "with" comes alongside a name are hugely important. (One example: Beyoncé and James Earl Jones's names show up last and after a "with" in the teaser trailer for live-action The Lion King remake in order to highlight them.)

What made the exclusion of Gurira on the initial Endgame poster such a sore point is the fact that every single other actor on the poster is given a top credit—including Bradley Cooper, who voices the CGI raccoon Rocket. This outrage was compounded by the fact that Gurira is also the only woman of color on the poster, unless you count Scarlett Johansson.

A few hours and many angry tweets later, Marvel shared an updated poster with the caption, "She should have been up there all this time."

Sign up for our newsletter to get the best of VICE delivered to your inbox daily.

Follow Nicole Clark on Twitter.



from VICE https://ift.tt/2CkMIYW

Comments

Popular posts from this blog

REPORT: Furious Spike Lee Paces Aisle, Turns Back To Stage...

REPORT: Furious Spike Lee Paces Aisle, Turns Back To Stage... (Top headline, 5th story, link ) Related stories: REVIEW: Hostless Show Starts With Rock & Rolls Off Rails... Actor knocks borders, walls during speech in Spanish... Stage designed to look like Trump hair? 'GREEN BOOK' OVERCOMES BACKLASH, NABS BEST PICTURE... Top Critics Fume... LIST: WINNERS... Advertise here from Drudge Report Feed https://ift.tt/2SUpIKy

Tiny Love Stories: ‘Who Was I to Deprive Him of Joy?’

By Unknown Author from NYT Style https://ift.tt/2UV7YAG

The Ugly History of Dual-Loyalty Charges

When Representative Ilhan Omar recently complained about “the political influence in this country that says it is okay to push for allegiance to a foreign country,” many noted accurately that she had deployed a trope—dual loyalty—that had been used against Jews for years. But this accusation has a broader history in the United States, having been used against several religious minorities—including Muslims like Omar. Indeed, many battles over religious freedom have revolved around dual-loyalty claims. [ Read: Ilhan Omar just made it harder to have a nuanced debate about Israel ] In the 19th century, many attacks on Catholics stressed that these immigrants were pawns of a foreign power. In the 1830s, Samuel Morse—then a prominent painter and later the inventor of the telegraph—urged Americans to build “walls” and “gates” to keep out Catholic immigrants, who would always be loyal to Rome. Because these Catholic immigrants were decrepit —“halt, and blind, and naked”—they were easy to co...